这一首《Pisschrist》lyric歌曲是由歌手Fear Factory演唱，发布于个人Demanufacture (Explicit)专辑里，H吉他网整理分享最新的完整版歌词如下：
PissChrist – Fear Factory
Where are we now
When we are blind
Abandoned faith
You left behind
Were you betrayed
Or did you lie
Our common fate
Our common demise
Where is the son
To light the way
Along the path
Of our dismay
Look to the sky
On judgement day
A human God
That was man-made
So we lie
So we lie
So we lie
So we lie
So we rise
And so we rise
Just to fall down
In reality
You’re never found
I’m reaching out
With sealed eyes
I grab for light
Visions decried
Look to the sky
On judgement day
A human God
That was man-made
So we lie
So we lie
So we lie
So we lie
So we lie
Face down arms out
Nailed to the cross of doubt
Blood runs like rain
Drowning for this world in vain
Crown of black thorns
Human skin ripped and torn
Crown of black thorns
Human skin ripped and torn
Where is your saviour now
Where is your saviour now
Where is your saviour now
Where is your saviour now
Where is your saviour now
Where is your saviour now
Where is your saviour now
Where is your saviour now
Where is your saviour now
by Jason BirchmeierNot too many folks really took note at the time, but Fear Factory were really onto something with their 1992 debut album, Soul of a New Machine. Though it wasn’t a beginning-to-end classic, it was an exceptional album and arguably ushered in the alternative metal era with its fusion of metal styles. When Fear Factory returned three years later with their follow-up, Demanufacture, the band’s groundbreaking style of industrial- and death-informed metal came to fruition, and this time a great many folks did take note, resulting in one of the most successful metal releases of the ’90s, commercially as well as artistically. On the surface, it almost seems like Demanufacture is a rewrite of Soul of a New Machine. Following a couple extreme side projects (i.e., Nailbomb, Brujeria), Fear Factory again flew in Earache Records production legend Colin Richardson, and again they fused together a number of elements characteristic of various metal subgenres. For instance, vocalist Burton C. Bell unleashes a ferocious death metal growl, yet he can also switch over to a Rob Halford-like vocal style when he wants to grace a given song with soaring melodic vocals for contrast. Moreover, guitarist Dino Cazares straddles the fence between industrial and death metal, as he plays machine-like riffs that chug away in lock step with likewise machine-like drummer Raymond Herrera yet breaks away at any given moment and takes off in a frenzied, very human direction. This \
