这一首《Corporate Cloning》lyric歌曲是由歌手Fear Factory演唱，发布于个人Archetype专辑里，H吉他网整理分享最新的完整版歌词如下：
Corporate Cloning – Fear Factory
以下歌词翻译由微信翻译提供
A cloned force mass produced simulate introduced
一个克隆力量大批量生产的模拟介绍
Delinquent rank and file encoded stamped and styled
违法犯罪的普通人被编码盖上章精心打扮
I’ll affected progeny tasteless iconography
我会影响子孙后代毫无品味的图像
I’ll affected progeny tasteless iconography
我会影响子孙后代毫无品味的图像
A half life in the light industry by design
半辈子从事轻工业靠设计
Plastic thoughts in my mind thus begins my demise
我脑海里浮想联翩我开始走向死亡
This years model dims and fades last years model is erased
今年的模型黯淡无光去年的模型被抹去
This years model dims and fades last years model is erased
今年的模型黯淡无光去年的模型被抹去
Prototype by design prototype stand in line
一个接一个的设计原型排好队
Another fading idol
另一个渐渐消失的偶像
Another falling icon
又一个陨落的偶像
Another fading idol
另一个渐渐消失的偶像
Another falling icon
又一个陨落的偶像
Like insects share a mind deviance is a crime
就像昆虫分享思想偏差就是犯罪
Delinquent rank and file encoded stamped and styled
违法犯罪的普通人被编码盖上章精心打扮
I’ll affected progeny tasteless iconography
我会影响子孙后代毫无品味的图像
This years model dims and fades last years model is erased
今年的模型黯淡无光去年的模型被抹去
Prototype by design prototype stand in line
一个接一个的设计原型排好队
Another fading idol
另一个渐渐消失的偶像
Another falling icon
又一个陨落的偶像
Another fading idol
另一个渐渐消失的偶像
Another falling icon
又一个陨落的偶像
Another falling icon
又一个陨落的偶像
Sometimes I wish I were deaf and blind
有时候我希望我是个聋子或是瞎子
Sometimes I wish I were deaf and blind
有时候我希望我是个聋子或是瞎子
Sometimes I wish I were deaf and blind
有时候我希望我是个聋子或是瞎子
Sometimes I wish I were deaf and blind
有时候我希望我是个聋子或是瞎子
Another fading idol
另一个渐渐消失的偶像
Another falling icon
又一个陨落的偶像
Another fading idol
另一个渐渐消失的偶像
Another falling icon
又一个陨落的偶像
Another fading idol
另一个渐渐消失的偶像
Another falling icon
又一个陨落的偶像
Another fading idol
另一个渐渐消失的偶像
Another falling icon icon
又一个陨落的偶像
Fear finally became a factor for Fear Factory fans in 2001 when the band abruptly broke up over bad blood between guitarist Dino Cazares and vocalist Burton C. Bell. Longtime label Roadrunner dropped them; the future of Fear looked bleak. Luckily, bassist Christian Olde Wolbers was willing to take on the guitar spot, and the remaining Fear mongers hired ex-Strapping Young Lad Byron Stroud for the bass position. The result of this tumult is Archetype (Liquid 8), an angrily coiled album that balances its human-mechanism percussion and blistering guitar work with subtle keyboard backgrounds and Burton’s bipolar vocal turns, at once unleashing hell-bound screams and heavily reverbed, near-Goth turns toward singing (think vintage Sisters of Mercy). The echoing melodies of \
